for The Brooklyn Paper
Share on TwitterTweet
Share on Facebook

Don’t miss our updates:

Some dreams are worth the wait.

Back in 1988, Dan Haft met Robert Weinstein while they were both working on the Heights Players’ staging of "Joseph and the Amazing Technicolor Dreamcoat."

"We’ve been best friends and partners ever since," says Haft.

About two years later, the two men founded a nonprofit, project-based theatrical company they named The Sackett Group, because at the time, they both lived on Sackett Street in Carroll Gardens. (Weinstein was a tenant of Haft, who owns a brownstone.)

Most of their projects were produced in Manhattan, but Haft, the group’s producing director, says, "Our mission has always been to have a theater in Brooklyn, because we’re from Brooklyn."

That dream began to look like a reality on Nov. 1, 2003, when Borough President Marty Markowitz came to a Sackett Group fundraiser.

"A couple of months later, we had a meeting with [Markowitz] and his aides where we expressed the desire to establish a permanent home in Brooklyn," says Haft. "They suggested a couple of underutilized spaces in Brooklyn, among them the Brooklyn Music School Playhouse [BMS Playhouse]."

Subsequently, Liz Koch, of the borough president’s office, contacted Karen Krieger, executive director of the Brooklyn Music School, to lay the groundwork.

"Over the next 18 months, we met, we negotiated and the two boards ratified a collaboration agreement," says Haft. And this spring the Sackett Group announced its premiere season as the resident company at the BMS Playhouse at 126 St. Felix St. - in the heart of the BAM Cultural District.

"[The Sackett Group] has a stage expertise that, hopefully, we can bring to our students at a later date," Krieger told GO Brooklyn. "So we can offer theater as part of our curriculum down the road."

Members of the Sackett Group have already helped the Brooklyn Music School with lighting for its production of "A Brooklyn Nutcracker," staged last December, as well as the June dance recital.

Haft and Weinstein, the group’s artistic director, plan to stage four productions, beginning with Tennessee Williams’ "Suddenly Last Summer" (which opened on July 14 and continues through Aug. 7). The three other productions this season are "Women’s Work V," the Sackett Group’s fifth festival of one-act plays, directed by six of the city’s emerging female directors (Oct. 26-Nov. 20); Arthur Miller’s little-known "The American Clock" (Jan. 26-Feb. 12); and the world premiere of Joe Costanza’s "One Big Happy Family" (April 27-May 21).

"We have to work around [Brooklyn Music School’s] needs. They use the space for classes, recitals and several performances," says Haft. "Four shows is about the max we can handle now."

Weinstein says his goal is to showcase American playwrights because "plays about the American experience are artistically worthy and more in line with my personal experience. The sensibility and issues the playwrights deal with have universal appeal as well as an American flavor."

Weinstein decided to stage - and direct - "Suddenly Last Summer," Tennessee Williams’ horrific story of a young man’s strange death and the lengths his family goes to suppress the truth, after taking an "informal poll of people in my creative life" about what they wanted to see produced. He also says, "I did ’Sweet Bird of Youth’ several years ago at the Heights Players and have always wanted to get back to Williams."

"Suddenly Last Summer," originally produced in 1958 along with "Something Unspoken" in a double-bill called "The Garden District," is a one-act in four scenes. But Weinstein says that the fourth scene is an act in itself and by inserting an intermission between the third and fourth scene, he can turn the work into a traditional two-act play.

One of Weinstein’s two favorite playwrights is Miller. "The American Clock," which Weinstein calls a "storytelling collage of the American Depression and the resiliency of Americans," is the Sackett Group’s tribute to Brooklyn’s native son.

Weinstein is also looking forward to producing original plays.

"Over [The Sackett Group’s] 10-plus years of existence, we’ve come in contact with writers whose work has appealed to us on many, many levels - not only American, but New York City - and Brooklyn-content playwrights who need a voice as well," he says.

Joe Costanza, who hails from Queens, is a working Hollywood actor whom Haft met in the early ’80s while doing his Actors Equity apprenticeship at the Falmouth Playhouse in Cape Cod. Both Joe and his brother George were young friends of Jerry Seinfeld, and Weinstein says that George is partly the inspiration behind the "Seinfeld" character of the same name. Joe will be coming back east to direct his play about the everyday adventures of a Queens family in July 1979.

With this new joint venture of the Brooklyn Music School and the Sackett Group, the BMS Playhouse, once known as "the Little Opera House" because of its proximity to the Brooklyn Academy of Music’s Opera House, will again become part of the borough’s theatrical life.


The Sackett Group’s production of "Suddenly Last Summer" continues through Aug. 7 at the BMS Playhouse at 126 St. Felix Lafayette Avenue in Fort Greene. Performances are Thursday through Saturday, at 8 pm, and Sundays, at 5 pm. Tickets are $19; a season subscription is $65. For tickets, call (212) 868-4444. For more information, visit the Web site

Updated 4:00 pm, November 10, 2010
Today’s news:
Share on TwitterTweet
Share on Facebook

Don’t miss our updates:

Reasonable discourse

Comments closed.

First name
Last name
Your neighborhood
Email address
Daytime phone

Your letter must be signed and include all of the information requested above. (Only your name and neighborhood are published with the letter.) Letters should be as brief as possible; while they may discuss any topic of interest to our readers, priority will be given to letters that relate to stories covered by The Brooklyn Paper.

Letters will be edited at the sole discretion of the editor, may be published in whole or part in any media, and upon publication become the property of The Brooklyn Paper. The earlier in the week you send your letter, the better.

Keep it local!

Stay in touch with your community. Subscribe to our free newsletter: