Sections

SHORT BUT SWEET

for The Brooklyn Paper
Share on TwitterTweet
Share on Facebook
Subscribe

Don’t miss our updates:

Decades ago, just about any film you might see at your local movie house was part of a double bill - two feature films for the price of one. And, of course, there was the newsreel to start everything off. There was also a time when, just before the feature began, you could witness a brief entertainment known as the short film.

This phenomenon occurred not so long ago - I remember shorts at the movies - but then I’m not as young as I used to be. The economics (mostly) of the film industry today have made this pleasurable entertainment all but extinct at commercial cinemas, and the public is really missing out. Good short films are like good short stories - concise, to the point and, when they’re really on target - they can move us.

These days we have to make do with the few local film festivals that play short films before features or search out those rare programs of short films, such as "The World According to Shorts" screening at the Brooklyn Academy of Music’s Rose Cinemas on Aug. 1 and Aug. 2. These films have been culled from the "Festival du Court Metrage" in the French town of Clermont-Ferrand, one of a number of European festivals that devote themselves solely to this kind of work.

There are many different kinds of short filmmakers. Most film students use short films as their means of fulfilling academic requirements. (Perhaps only the wealthiest of film majors could underwrite their own feature-length student film.) Young professionals use short films as "calling cards" - to show the executives in the industry what they’re capable of. Many a deal has been struck between studios and short filmmakers. In addition, many experimental and avant-garde works are less than feature-length. (I consider feature-length to be 60 minutes or more.)

While festivals like Clermont-Ferrand’s screen more than 400 films for the public, BAMcinematek will present a much more manageable series of 10 films, ranging in length from four to 27 minutes, in two programs.

The five films in Program I (Aug. 1 at 6:50 pm; Aug. 2 at 9:10 pm) include the animated films "The Fall" and "Ring of Fire." "The Fall" has all the earmarks of classic Czech animation. (The film is from FAMU, the famed Prague film school.) Made in 1999, it harks back to the days of the Iron Curtain.

The setting is a bleak city street - a long line of identical women wait outside a store for their chance to buy merchandise. As they wait, a man hangs from the top of a building. He resembles Lenin, and this is no accident - just before he slips from the roof, an archival image of the Communist leader appears - leaving no doubt as to what this 14-minute stop-motion animation represents. The dark imagery is richly textured, and allows us to supply our own political interpretations. This style of political allegory has been seen over and over in Eastern European animation, but if you’ve never experienced it, it’s worth a look.

"Ring of Fire," a 15-minute (2000) animated film from Germany, has a style that is reminiscent of several things. First and foremost, it appears to be a Western, complete with a cowboy-drawled narrator. The narration may seem other-worldly, but at times the animation gives a literal interpretation to the words (for example, the narrator speaks of waiting for the spirits, while the two animated cowboys - the main characters - appear to finish off a bottle of booze).

But the real thrust of this work is most likely their erotic adventures - or fantasies. And while the two cowboys remind me of the Spy vs. Spy cartoons from Mad magazine, an outrageous erotic siren and the rest of the hyper-sexualized figures combine both cubism and naif drawings. It all makes for fabulous black-and-white imagery, which can be appreciated on its own, but the cowboy motif doesn’t make a great deal of sense.

Program II (Aug. 1 at 9:10 pm; Aug. 2 at 6:50pm) highlights some live-action films, among them "The Red BMW," a half-hour film from Brazil. Odilon lives in poverty with his wife and four children. He finally gets lucky - he’s just won a brand new car. Too bad he can’t afford the fees or insurance, and doesn’t know how to drive. To make matters worse, the rules of the contest that gave him the car keep him from selling it for two years. So it becomes, not only the hit of the neighborhood, but a sort of second home as well. With a wry sense of humor, it gives a realistic but not too heavy-handed view of the realities of poverty in Brazil’s cities.

Another witty film in this program is a comedy from Finland, "A Stone Left Unturned." A father and son try to hunt together, fish together and work the land together, without much success. Each incident is shot as a visual one-liner.

"To Be Continued," also in Program II, presents an assortment of suspenseful moments: while two men carry on a conversation on the street, one’s child breaks away to chase her runaway doll carriage. A couple in a kitchen wait for an egg to boil, and if looks could kill Meanwhile, a young couple appears to be having an affair; intercut with their torrid scene, a man slowly climbs the stairs of an apartment building. The deft editing leads us to believe we know how it will all end, but this prize-winning film (best short in the Critics’ Week section at last year’s Cannes Film Festival) leaves us guessing beyond the end of this tense and tricky film.

There are more prize-winning films in the programs ("Summertime" in Program I was an award-winner at Clermont-Ferrand; "A Stone Left Unturned" was nominated for best short film by the European Film Academy), and most of these films have made appearances at other European film festivals (Program I’s "A Heap of Trouble" was also shown at Cannes this year), which speaks to the importance with which other countries view these short gems. Let’s be grateful for the opportunity to catch some of these international shorts in Brooklyn.

Marian Masone is the associate director of programming for the Film Society of Lincoln Center and chief curator of The New York Video Festival also at Lincoln Center.

 

"The World According to Shorts" will take place Aug. 1 and Aug. 2 at the BAM Rose Cinemas [30 Lafayette Ave., (718) 636-4100 or www.bam.org]. Program 1 at 6:50 pm on Aug. 1 and 9:10 pm on Aug. 2. Program 2 at 9:10 pm on Aug. 1 and 6:50 pm on Aug. 2. Tickets are $9, $6 students.

Updated 4:00 pm, November 10, 2010
Today’s news:
Share on TwitterTweet
Share on Facebook
Subscribe

Don’t miss our updates:


Reasonable discourse

Comments closed.

First name
Last name
Your neighborhood
Email address
Daytime phone

Your letter must be signed and include all of the information requested above. (Only your name and neighborhood are published with the letter.) Letters should be as brief as possible; while they may discuss any topic of interest to our readers, priority will be given to letters that relate to stories covered by The Brooklyn Paper.

Letters will be edited at the sole discretion of the editor, may be published in whole or part in any media, and upon publication become the property of The Brooklyn Paper. The earlier in the week you send your letter, the better.

Keep it local!

Stay in touch with your community. Subscribe to our free newsletter: